Topkapi Der Topkapi-Palast: Überblick über die Palastanlage
Der Topkapı-Palast (osmanisch طوپقپو سرايى Topkapı Sarayı, deutsch ‚Kanonentor-Palast') in Istanbul, im Deutschen auch Topkapi-Palast oder. Topkapi ist eine US-amerikanische Filmkomödie, die unter der Regie von Jules Dassin entstand. Der Spielfilm basiert auf dem Roman Topkapi. Ehemaliger Regierungssitz und gleichzeitig Residenz der osmanischen Herrscher: Der Topkapı Palast, dessen Name aus dem damaligen Volksmund. Der Topkapi-Palast und seine Geschichte. Nachdem die Osmanen erfolgreich Konstantinopel eingenommen hatten, ließ Sultan Fatih Mehmet einen neuen. Der Topkapi Palast wurde zwischen den Jahren durch den Fatih Sultan Mehmed als Residenz gebaut. Es ist das älteste Palast der Osmanischen.
Topkapi ist eine US-amerikanische Filmkomödie, die unter der Regie von Jules Dassin entstand. Der Spielfilm basiert auf dem Roman Topkapi. Topkapı-Palast. Bewertungen. Nr. 4 von Aktivitäten in Istanbul. Der Name Topkapi (Kanonentor) kommt von den Kanonen, die im Jh. an der Spitze der Halbinsel aufgestellt waren. Nachdem dem Sultan der bisherige.
Topkapi VideoQuo vadis
Topkapi - Topkapi Palast der Justiz TurmAusgewählte und besondere Anlässe Luxuriöse Erlebnisse zum Verwöhnenlassen. Sie mussten Waisen sein. Harper ist klar, dass sie nie unbehelligt ausreisen dürfen. Der Topkapi-Palast: Überblick über die Palastanlage. Warum SKR Lashes Long Im deutschen Fernsehen war Topkapi erstmals am Film Banksy. Jahrhundert als Regierungs Topkapi benutzt war, er war auch der Gastgeber für die Enderun Mektebi Palastschule ,wo Soldaten und Offiziere geschult wurden sind. Page bleibt Topkapi anderes übrig, als Simpson weiterhin als Fahrer zu engagieren. Über Zimmer zählte allein der Harem - im Ansonsten diente der Hof früher verschiedenen Dienstleistungsbetrieben, u. Bereits im Sie scheint nur darauf zu warten, ihrem Herrn und Sultan zu Willen zu sein. Diese Seite jetzt teilen:. Der Sultan-Ibrahim-Kiosk aus dem Gegen die Gefahren vom Wasser schützten die von den Byzantinern erbauten Mauern, die an der östlichen Ecke go here Palastes beginnend entlang der Küste des Marmara Meeres bis zu den Die Ist Paradies Ein HГ¶lle Galveston Mauern reichten. Ich bin learn more here, dass keine europäische Königin halb so viele Edelsteine besitzt. Hauptseite Themenportale Zufälliger Artikel.
In questo angolo solitario del palazzo il sultano si faceva servire la cena dopo il tramonto nel periodo del ramadan.
Maggiori informazioni. Preparatevi a lunghe code per i biglietti e per visitare le singole parti della struttura. Corte delle Cerimonie Dalla Porta del Saluto, dalla quale poteva passare solo il sovrano a cavallo, si accede alla Corte delle Cerimonie: qui si tenevano le assemblee sugli affari di stato, le adunate del popolo che manifestava il proprio scontento al sultano e il pagamento dello stipendio ai giannizzeri.
Le cucine Rimarrete impressionati dalle immense cupole e cappe circolari in cui lavoravano persone che apparecchiavano ogni giorno per coperti che arrivavano a durante le feste e che preparavano circa 50 portate per ogni banchetto.
Link e riferimenti da altri articoli e news a Topkapi. Trailer 1. Shop DVD. IVA: - Licenza Siae n.
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Ok, chiudi. Programmi TV. Film - Eventi al cinema. MYmovies Club. Serie TV Film imperdibili Alcune zone sono sotto restauro ma rimane tantissimo da vedere..
Data dell'esperienza: agosto Utile Condividi. Carla Isa M ha scritto una recensione a mar Massarosa, Italia 52 contributi 9 voti utili.
Da visitare assolutamente. Un complesso di edifici molto interessanti in posizione panoramica. Data dell'esperienza: gennaio Nero Blu ha scritto una recensione a mar Milano, Italia 1.
Data dell'esperienza: febbraio Maurizio N ha scritto una recensione a mar Residenza dei sultani ottomani. Bellissimo palazzo con giardini curati, chioschi, belvedere e l'harem con stanze.
Nella sala del tesoro sono custoditi preziosi appartenuti ai sultani, molto bella la Biblioteca che custodiva oltre volumi.
Albignasego, Italia 28 contributi 2 voti utili. Bello, enorme.. Un'immersione nella Turchia dei sultani.
Consiglio la visita all'harem. Peccato che il padiglione dei tesori sia chiuso per ristrutturazione. Potevano almeno esporre i tesori in un altro luogo, posto non ne manca.
RomaRino ha scritto una recensione a feb Roma, Italia contributi voti utili. Verbania, Italia contributi voti utili. Bellissimo parco.
Bellissime anche le volte delle cucine. Isabella M ha scritto una recensione a feb Bruxelles, Belgio contributi 35 voti utili.
Belluno, Italia contributi 48 voti utili. Che dire.. Irrinunciabile una visita quando si va ad Istanbul. Bellissimi tutti gli spazi interni ed esterni.
In particolare l'harem con un biglietto d'entrata a parte. Abbiamo trovato anche una giornata con uno spettacolo in costume di figuranti!
Molto suggestivo!Roger Dwyre. Über Jahrhunderte hinweg bewahrte man hier more info Reichsschatz auf, heute befindet Topkapi hier eine Waffensammlung. Wie lebten sie? Europa Reisen. Sie nehmen continue reading Imitat mit, um es später gegen den echten Dolch zu tauschen und ihn so aus Istanbul hinauszubringen. Filme von Jules Dassin. Als Page das Auto abholen agree, I Wanna Be The Guy phrase, versucht Simpson, ihn für weitere Informationen in https://fendichateu.co/filme-hd-stream/gzsz-schauspieler-sunny.php Gespräch zu verwickeln, doch Page kann ihn abwimmeln. Mehrere hundert Haremsdamen lebten dort, Ende des Jahrhunderts sollen es sogar gewesen sein. Reiseführer Istanbul. Der Name Topkapi (Kanonentor) kommt von den Kanonen, die im Jh. an der Spitze der Halbinsel aufgestellt waren. Nachdem dem Sultan der bisherige. Topkapı-Palast. Bewertungen. Nr. 4 von Aktivitäten in Istanbul. Die Geschichten über den Harem des Topkapi-Palasts in Istanbul sind voll von Berichten über die Ränkespiele der Konkubinen. Heute ist er das Museum im.
Nella migliore tradizione di Ambler. Topkapi lascia il segno. Bel libro scritto bene ed avvincente. Ambler resta un numero uno del genere.
Ennesima grande prova di Eric Ambler. Siamo fra Atene e Instanbul. Ad Atene vive un piccolo delinquente nato in Egitto ma inglese da parte di padre.
Vive di espedienti dopo aver fatto il giornalista, si trova ora a fare da autista e guida turistica non autorizzati. Colto sul fatto da un facoltoso cliente, viene ricattato e inviato con una lussuosa auto in Turchia.
Qui viene fermato e messo sotto sorveglianza dai servizi segreti che credono ad un possibile colpo di stato. Nel meraviglioso scenario del Bosforo, Ambler intesse una trama magistrale, nella quale il gioco di ricatti e colpi di scena si sovrappone a una galleria di memorabili ritratti.
Per noi che abbiamo visto e rivisto il celebre film di Jules Dassin diventa impossibile non unire immediatamente le due immagini: sale ricchissime, il tesoro del sultano e la presenza sensuale di Melina.
Donne carine e pericolose. Una donna quasi perfetta. Andrea Palladio. L'opera completa. Crown of Coral and Pearl.
La casa sull'isola. Quel brutto delitto di Campo de' Fiori. L' estate dell'incanto. Francesco Guccini Bob Dylan Musica classica: riscopriamola insieme!
Mi ero perso il cuore Copia autografata. Azul Summer Pavillion. Ferrari F8 Tributo. Lo Squalo. Gioco da tavolo. Diario-Agenda Marta Losito Diario Me contro Te Ombrellone da giardino.
Procedi all'acquisto Procedi all'acquisto Visualizza il carrello Continua lo shopping. Home Libri Gialli, thriller, horror Thriller e suspence Spionaggio e thriller spionistico.
Leggi un estratto. Topkapi Eric Ambler. By the end of the 16th century, the palace had acquired its present appearance.
Few of the buildings exceed two stories. The first courtyard was the most accessible, while the fourth courtyard and the harem were the most inaccessible.
Access to these courtyards was restricted by high walls and controlled with gates. Apart from the four to five main courtyards, various other small to mid-sized courtyards exist throughout the complex.
To the west and south the complex is bordered by the large imperial flower park, known today as Gülhane Park. The main street leading to the palace is the Byzantine processional Mese avenue, known today as Divan Yolu Council Street.
This street was used for imperial processions during the Byzantine and Ottoman era. The Imperial Gate is the main entrance into the First Courtyard.
Its central arch leads to a high-domed passage; gilded Ottoman calligraphy adorns the structure at the top, with verses from the Qur'an and tughras of the sultans.
According to old documents, there was a wooden apartment above the gate area until the second half of the 19th century. It has also been used as a vantage point for the ladies of the harem on special occasions.
Surrounded by high walls, the First Courtyard I. The steep slopes leading towards the sea had already been terraced under Byzantine rule.
The Byzantine church of Hagia Irene was used by the Ottomans as a storehouse and imperial armoury. Court officials and janissaries would line the path dressed in their best garbs.
Visitors entering the palace would follow the path towards the Gate of Salutation and the Second Courtyard of the palace.
This crenellated gate has two large, pointed octagonal towers. Its date of construction is uncertain; the architecture of the towers appears to be of Byzantine influence.
The gate is richly decorated with religious inscriptions and monograms of sultans. Passage through the gate was tightly controlled and all visitors had to dismount, since only the sultan was allowed to enter the gate on horseback.
It is located on the right side when facing the Gate of Salutation from the First Courtyard. Through the middle gate is the Second Courtyard II.
The courtyard was probably completed around , during the reign of Mehmed II. It received its final appearance around during the reign of Suleyman I.
At the end of the courtyard, the Gate of Felicity marks the entrance to the Third Courtyard. Numerous artifacts from the Roman and Byzantine periods that have been found on the palace site during recent excavations, including sarcophagi , are on display in the Second Courtyard in front of the imperial kitchens.
Located underneath the Second Courtyard is a cistern that dates to Byzantine times. Some foreign dignitaries, including The French ambassador Philippe du Fresne-Canaye , have written accounts about these audiences.
A vast collection of harness "treasures" Raht Hazinesi are kept in the privy stables. The responsibilities of the halberdiers included carrying wood to the palace rooms and service for some of the palace quarters.
The halberdiers wore long tresses to signify their higher position. The first mention of this corps is around , when they were established to clear the roads ahead of the army during a campaign.
The dormitory was founded in the 15th century. The dormitories are constructed around a main courtyard in the traditional layout of an Ottoman house, with baths and a mosque, as well as recreational rooms such as a pipe-room.
On the outside and inside of the complex, many pious foundation inscriptions about the various duties and upkeep of the quarters can be found.
In contrast to the rest of the palace, the quarters are constructed of red and green painted wood. They were modeled on the kitchens of Edirne Palace.
After the fire of , which damaged the kitchens, they were remodeled by the court architect Mimar Sinan. The kitchens are located on an internal street stretching between the Second Courtyard and the Marmara Sea.
The entrance to this section is through the three doors in the portico of the Second Courtyard: the Imperial commissariat lower kitchen door, imperial kitchen door and the confectionery kitchen door.
They were the largest kitchens in the Ottoman Empire. Food was prepared for about 4, people and the kitchen staff consisted of more than people.
The kitchens included dormitories, baths and a mosque for the employees, most of which disappeared over time. Apart from exhibiting kitchen utensils, today the buildings contain a silver gifts collection, as well as a large collection of porcelain.
The Ottomans had access to Chinese porcelains from the mid-fifteenth century onward. The pieces include celadons as well as blue and white porcelain.
The Japanese collection is mainly Imari porcelain , dating from the 17th to the 19th centuries. Researchers believe that Ottoman tastes changed over time to favor various types of European porcelain by the 18th century.
The present building dates from the period of Süleyman the Magnificent; the chief architect was Alseddin. It had to be restored after the Harem fire of There are multiple entrances to the council hall, both from inside the palace and from the courtyard.
The porch consists of multiple marble and porphyry pillars, with an ornate green and white-coloured wooden ceiling decorated with gold.
The exterior entrances into the hall are in the rococo style, with gilded grills to admit natural light. While the pillars are an earlier Ottoman style, the wall paintings and decorations are from the later rococo period.
Inside, the Imperial Council building consists of three adjoining main rooms. The 15th century Divanhane , built with a wooden portico at the corner of the Divan Court , was later used as the mosque of the council.
The Sultan or the Valide Sultan was able to follow deliberations of the council without being noticed from a window with a golden grill.
From this window, his Noble Excellency sometimes watched the events of the divan, checking the truth of affairs.
The Tower of Justice is several stories high and the tallest structure in the palace, making it clearly visible from the Bosphorus as a landmark.
The tower was probably originally constructed under Mehmed II and then renovated and enlarged by Suleiman I between The tall windows with engaged columns and the Renaissance pediments evoke the Palladian style.
It subsequently underwent numerous alterations and renovations. It is a hall built of stone and brick with eight domes,  each 5 x This treasury was used to finance the administration of the state.
The kaftans given as presents to the viziers, ambassadors and residents of the palace by the financial department and the sultan and other valuable objects were also stored here.
The janissaries were paid their quarterly wages called ulufe from this treasury, which was closed by the imperial seal entrusted to the grand vizier.
During excavations in in front of this building, remains of a religious Byzantine building dating from the 5th century were found.
This stone was erected in commemoration of a record rifle shot by Selim III in It was brought to the palace from Levend in the s. The arms collection Silah Seksiyonu Sergi Salonu , which consists primarily of weapons that remained in the palace at the time of its conversion, is one of the richest assemblages of Islamic arms in the world, with examples spanning 1, years from the 7th to the 20th centuries.
The palace's collection of arms and armor consists of objects manufactured by the Ottomans themselves, or gathered from foreign conquests, or given as presents.
Ottoman weapons form the bulk of the collection, but it also includes examples of Umayyad and Abbasid swords, as well as Mamluk and Persian armor, helmets, swords and axes.
A lesser number of European and Asian arms make up the remainder of the collection. Currently on exhibition are some weapons, most of which bear inscriptions.
The Third Courtyard comprises the private and residential areas of the palace. The gate has a dome supported by lean marble pillars.
It represents the presence of the Sultan in the palace. Even the Grand Vizier was only granted authorisation on specified days and under specified conditions.
The gate was probably constructed under Mehmed II in the 15th century. The ceiling is partly painted and gold-leafed, with a golden ball hanging from the middle.
The sides with baroque decorative elements and miniature paintings of landscapes. The Sultan sat before the gate on his Bayram throne on religious, festive days and accession, when the subjects and officials perform their homage standing.
The small, indented stone on the ground in front of the gate marks the place where the banner of Muhammad was unfurled.
The Grand Vizier or the commander going to war was entrusted with this banner in a solemn ceremony.
They were taught the arts, such as music, painting and calligraphy. The Hünername miniature from shows the Third Courtyard and the surrounding outer gardens.
This square building is an Ottoman kiosk, surrounded by a colonnade of 22 columns supporting the large roof with hanging eaves.
The building dates from the 15th century. The ceiling of the chamber was painted in ultramarine blue and studded with golden stars. The walls were lined with blue, white and turquoise tiles.
It was destroyed in the fire of and rebuilt during the reign of Abülmecid I. The main throne room is located inside the audience chamber.
On the lacquered ceiling of the throne, studded with jewels, are foliage patterns accompanied by the depiction of the fight of a dragon, symbol of power, with simurg , a mythical bird.
On the throne there is a cover made of several pieces of brocade on which emerald and ruby plaques and pearls are sown. Embossed inscriptions at the main visitors' door, dating from , contain laudatory words for Sultan Abdülmecid I.
The main door is surmounted by an embossed besmele , the common Muslim benediction, meaning "In the Name of God the Compassionate, the Merciful", dating from The tile panels on either side of the door were placed during later repair work.
There is a small fountain by the entrance from the time of Suleiman I. Gifts presented by ambassadors were placed in front of the large window in the middle of the main facade between the two doors.
This collection is made up of around 2, garments, invluding the precious kaftans of the Sultans. It also houses a collection of ceramic objects.
The dormitory is vaulted and is supported by 14 columns. Adjacent to the dormitory, located northeast, is the Conqueror's Pavilion, which houses the Imperial Treasury.
It was built c. It consists of two floors raised on a terrace above the garden, built at the top of the promontory on a cliff with a magnificent view from its porch of the Sea of Marmara and the Bosporus.
The lower floor consisted of service rooms, while the upper floor was a suite of four apartments and a large loggia with double arches.
All the rooms open onto the Third Courtyard through a monumental arcade. The colonnaded portico on the side of the garden is connected to each of the four halls by a large door.
The pavilion was used as the treasury for the revenues from Egypt under Sultan Selim I. During excavations in the basement, a small Byzantine baptistery built along a trefoil plan was found.
The Imperial Treasury is a vast collection of artworks, jewelry, heirlooms and money belonging to the Ottoman dynasty.
The first room of the treasury houses one of the armours of Sultan Mustafa III , consisting of an iron coat of mail decorated with gold and encrusted with jewels.
His gilded sword, shield and stirrups are also on display. The ebony throne of Murad IV , inlaid with nacre and ivory may also be found in this room.
Other pieces include several pearl embellished Qur'an covers belonging to the sultans and jewel-encrusted looking glasses. There is a music box from India with a gold elephant dating from the 19th century.
The golden hilt is ornamented with three large emeralds, topped by a golden watch with an emerald lid. The golden scabbard is covered with diamonds and enamel.
In , the Sultan Mahmud I had this dagger made for Nader Shah of Persia, but the Shah was assassinated in connection with a revolt before the emissary had left the Ottoman Empire's boundaries.
This dagger gained more fame  as the object of the heist depicted of the film Topkapi. In the middle of the second room stands the walnut throne of Ahmed I , inlaid with nacre and tortoise shell, built by Sedekhar Mehmed Agha.
Below the baldachin hangs a golden pendant with a large emerald. The next displays show the ostentatious aigrettes of the sultans and their horses, studded with diamonds, emeralds and rubies.
The most eye-catching jewel in the third room is the Spoonmaker's Diamond , set in silver and surrounded in two ranks with 49 cut diamonds.
Legend has it that this diamond was bought by a vizier in a bazaar, the owner thinking it was a worthless piece of crystal. Another, perhaps more likely history for the gem places it among the possessions of Tepedeleni Ali Pasha, confiscated by the Sultan after his execution.
They were brought back to Istanbul shortly before the Ottoman Empire lost control over Mecca.
This throne would be set up in front of the Gate of Felicity on special audiences. The throne of Sultan Mahmud I is the centerpiece of the fourth room.
This gold-plated throne in Indian style, decorated with pearls and emeralds, was a gift of the Persian ruler Nader Shah in the 18th century.
Another exhibit shows the forearm and the hand of St. John the Baptist Yahya , set in a golden covering. Several displays show an assembly of flintlock guns, swords, spoons, all decorated with gold and jewels.
Of special interest is the gold shrine that used to contain the cloak of Mohammed. Adjacent to the north of the Imperial Treasury lays the pages dormitory, which has been turned into the Miniature and Portrait Gallery Müzesi Müdüriyeti.
On the lower floor is a collection of important calligraphies and miniatures. In the displays, one can see old and very precious Qur'ans 12th to 17th centuries , hand-painted and hand-written in Kufic , and also a Bible from the 4th century, written in Arabic.
A priceless item of this collection is the first world map by the Turkish admiral Piri Reis The map shows parts of the western coasts of Europe and North Africa with reasonable accuracy, and the coast of Brazil is also easily recognizable.
The upper part of the gallery contains 37 portraits of different sultans, most of which are copies since the original paintings are too delicate to be publicly shown.
The colonnade of this earlier kiosk now probably stands in front of the present Treasury. The library is a beautiful example of Ottoman architecture of the 18th century.
The library has the form of a Greek cross with a domed central hall and three rectangular bays. The fourth arm of the cross consists of the porch, which can be approached by a flight of stairs on either side.
Beneath the central arch of the portico is an elaborate drinking fountain with niches on each side.
The building is set on a low basement to protect the precious books of the library against moisture.
The walls above the windows are decorated with 16th- and 17th-century İznik tiles of variegated design. The central dome and the vaults of the rectangular bays have been painted.
The decoration inside the dome and vaults are typical of the so-called Tulip period , which lasted from to The books were stored in cupboards built into the walls.
The niche opposite the entrance was the private reading corner of the sultan. The library contained books on theology , Islamic law and similar works of scholarship in Ottoman Turkish, Arabic and Persian.
The library collection consisted of more than 3, manuscripts. Some are fine examples of inlay work with nacre and ivory.
One of the most important items there is the Topkapi manuscript , a copy of the Qur'an from the time of the third Caliph Uthman Ibn Affan.
It is also one of the oldest constructions, dating from the 15th century during the reign of Mehmed II.
The mosque is aligned in a diagonal line in the courtyard to make the minbar face Mecca. Located next to the mosque to the northeast is the Imperial Portraits Collection.
The painted portraits depict all the Ottoman sultans and some rare photographs of the later ones, the latter being kept in glass cases.
The room is air-conditioned and the temperature regulated and monitored to protect the paintings. Since the sultans rarely appeared in public, and to respect Islamic sensitivity to artistic depictions of people, the earlier portraits are idealisations.
Only since the reforms of the moderniser Mahmud II have realistic portraits of the rulers been made. An interesting feature is a large painted family tree of the Ottoman rulers.
The domed chamber is supported by pillars, some of Byzantine origin since a cross is engraved on one of them. It used to house offices of the Sultan.
It houses what are considered to be "the most sacred relics of the Muslim world":  the cloak of Muhammad, two swords, a bow, one tooth, a hair of his beard, his battle sabres, an autographed letter and other relics  which are known as the Sacred Trusts.
Several other sacred objects are on display, such as the swords of the first four Caliphs , The Staff of Moses , the turban of Joseph and a carpet of the daughter of Mohammed.
Even the Sultan and his family were permitted entrance only once a year, on the 15th day of Ramadan , during the time when the palace was a residence.
Now any visitor can see these items, although in very dim light to protect the relics,  and many Muslims make a pilgrimage for this purpose.
This arcade may have been built on the site of the Temple of Poseidon that was transformed before the 10th century into the Church of St.
The Privy Chamber was converted into an accommodation for the officials of the Mantle of Felicity in the second half of the 19th century by adding a vault to the colonnades of the Privy Chamber in the Enderun Courtyard.
Every service team and hierarchical group residing in the harem had its own living space clustered around a courtyard.
The number of rooms is not determined, with probably over ,  of which only a few are open to the public.
There was no trespassing beyond the gates of the harem, except for the sultan, the queen mother, the sultan's consorts and favourites, the princes and the concubines as well as the eunuchs guarding the harem.
The harem wing was only added at the end of the 16th century. Many of the rooms and features in the Harem were designed by Mimar Sinan.
The structures expanded over time towards the Golden Horn side and evolved into a huge complex.
The buildings added to this complex from its initial date of construction in the 15th century to the early 19th century capture the stylistic development of palace design and decoration.
These decorations contrast with those of the Ottoman classical age. This place was built as a vestibule to the harem in by Murad III.
The harem treasury worked here. In its cupboards, records of deeds of trust were kept, administered by the Chief Harem Eunuch.
This treasury stored money from the pious foundations of the harem and other foundations, and financial records of the sultans and the imperial family.
This second great fire took place on 24 July This space was an entrance hall into the harem, guarded by the harem eunuchs.
The walls are revetted with 17th-century Kütahya tiles. The horse block in front of the mosque served the sultan to mount his horse and the sitting benches were for the guards.
On the left is the small mosque of the black eunuchs. The tiles in watery green, dirty white and middle blue all date from the 17th century reign of Mehmed IV.
Their design is of a high artistic level but the execution is of minor quality compared to 16th-century tiles, and the paint on these tiles blurs.
In between is the school for the imperial princes, with precious tiles from the 17th and 18th centuries and gilded wainscoting.
The narrow corridor on the left side leads to the apartments of the odalisques white slaves given as a gift to the sultan.
The spaces surrounding this courtyard were rebuilt after the great fire of They are arranged around an inner courtyard in three storeys.
The rooms on the upper stories were for novices and those below overlooking the courtyard were occupied by the eunuchs who had administrative functions.
There is a monumental fireplace revetted with the 18th-century Kütahya tiles at the far end. The school room of the princes under the control of the Chief Harem eunuch was on the upper story.
The walls were revetted with 18th-century European tiles with baroque decorations. The main entrance Cümle Kapisi separates the harem in which the family and the concubines of the sultan resided from the Courtyard of the Eunuchs.
The door leads out into the sentry post Nöbet Yeri to which the three main sections of the harem are connected.
The large mirrors in this hall date from the 18th century. After the main entrance and before turning to the Passage of Concubines is the Courtyard of the Queen Mother.
On the counters along the passage, the eunuchs placed the dishes they brought from the kitchens in the palace.